例句與造句

1. Associate Directors of the Lab are Hiroshi Ishii and Andrew Lippman.
2. "And it's begging for a network, " said Dr . Andrew Lippman, the associate director of the Media Lab.
3. The Japanese broadcaster saw HDTV largely as a ploy to balance its budget, says Andrew Lippman, an associate director of MIT's Media Lab, who initiated its advanced television research program.
4. "It spoke volumes about the attitude that permeated the company, down to the engineer's level, " said Andrew Lippman, senior vice president for legal affairs at MFS Communications.
5. The only panelists trying to drag the participants into the future were two people who live outside the networks, media consultant John Agogli and the associate director of the MIT Media Lab, Andrew Lippman.
6. It's difficult to find andrew lippman in a sentence. 用andrew lippman造句挺難的
7. The additional musicians include two guitarists Charles Altura and Rob Bacon, bassist Armand Sabal-Lecco on " Fulani ", keyboardist Felton Pilate on " Here's Why Tears Dry ", saxophonists Manhattan Transfer vocalist Cheryl Bentyne and a full horn section with Sheppard sharing saxophone duties with Doug Webb, plus trumpeter John Papenbrook and trombonist Andrew Lippman.
8. Many people were involved in the production, most notably : Nicholas Negroponte, founder and director of the Architecture Machine Group, who found support for the project from the Cybernetics Technology Office of DARPA; Andrew Lippman, principal investigator; Bob Mohl, who designed the map overlay system and ran user studies of the efficacy of the system for his PhD thesis; Richard Leacock ( Ricky ), who headed the MIT Film / Video section and shot along with MS student Marek Zalewski the Cin閙a v閞it?interviews placed behind the facades of key buildings; John Borden, of Peace River Films in Cambridge, MA, who designed the stabilization rig; Kristina Hooper Woolsey of UCSC; anamorphic imaging of the city ( using a Volpe lens ); Walter Bender, who designed and built the interface, the client / server model, and the animation system; Steve Gregory; Stan Sasaki, who built much of the electronics; Steve Yelick, who worked on the laserdisc interface and anamorphic rendering; Eric " Smokehouse " Brown, who built the metadata encoder / decoder; Paul Heckbert worked on the animation system; Mark Shirley and Paul Trevithick, who also worked on the animation; Ken Carson; Howard Eglowstein; and Michael Naimark, who was at the Center for Advanced Visual Studies and was responsible for the cinematography design and production.